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Alex Whitmer

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February 24, 2014

Guest Post: Screenwriting for Filmstigator

February 24, 2014 | By | 2 Comments

by Alex Whitmer

As there are many bits and pieces of my own childhood in the screenplay and story, ‘GIFT’ holds a special place for me. With that in mind, having ‘GIFT’ in the hands of the right crew and the right director with as similar a vision as possible was paramount.

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A page from the ‘GIFT’ shooting script

I believe all writers are possessive about their stories, and, like me, hold a few near and dear above all others. Over the course of 50+ produced short scripts, I have come to terms with letting the creative collaboration process take over once a script is picked up. Most often that process brings many wonderful surprises and ‘hadn’t thought of that’ moments.

Katherine Shepler gets a touch up from makeup artist Tara Lynn Overby & 1st AD Melissa Bowers.

The creative input from the lighting folks, the sound folks, script supervision and costume, and on up and down the line, all coalesces to move printed word into moving pictures.

Michael liked the story, and he saw opportunities through a director’s eye that could bring ‘GIFT’ to fruition. After just one read-through of Michael’s new draft, I knew he had the intuition on where to take the story.

There was still casting to be done, and it is this process that gives the absolute and final voice to the characters on paper.

Sound man Tom Boisseau prepares to roll on a take.

Of course, there is a tremendous amount of support and direction, takes, make-up and editing–but in the end it is the actors an audience will attach to.  All the arts and technical knowledge and selecting just the right shirt and lens and light and cut all melt into the background. It’s just us and them.

Royce Mann, Katherine Shepler, & Michael Curtis on the set of ‘GIFT.’

I really can’t say enough about the chosen cast, and the beautiful and heartfelt performances they gave. I sincerely hope this film opens both big and small doors for them.

Being the quintessential hermitical writer, I was not on set during production. I much prefer the abstractness of pen and paper.  But from what I can see in the behind-the-scenes photos, the production stills, and the trailer, there was nothing but professionalism on the set. It just shows.

The locations are far better than I imagined. Beautifully haunting comes to mind. I’ve always been of the school that locations ought to be treated like any cast member, and chosen just as carefully. They bring that much to a story.

Working with Michael and this crew has been very pleasant, with communication open and thorough. I would recommend to writers looking for that special feather in the cap to leap at the opportunity to work with the Filmstigator team.

 

Comments

  1. So glad you enjoyed the process & are happy with the results, Alex. Thanks for sending us the original story!

  2. torgersw

    Thanks for sharing. I’m always interested in hear about writing process and collaboration between writer and director. Well done!

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