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July 2013 - Filmstigator

Michael Curtis

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July 13, 2013

First Scripts Selected!

July 13, 2013 | By | One Comment

We are happy to announce the selection of our first round of scripts for production. And we’ve found two scripts we’d like to film—not just one!

Through the spring and early summer we’ve been reading dozens of screenplays that have been submitted for possible production. Almost every genre of film was represented.

We want to share a little bit about the two projects we are green-lighting for 2013.

screenplay

The first project we will shoot (working title “Gift”), deals with a troubled boy and the ancient typewriter he uses to write invisible stories.  A chance meeting with a young girl thrusts both of them toward a dramatic confrontation that will change them forever.

“Gift” features two strong lead roles for child actors. Two supporting roles will also be available in this small-cast project. The production will be filmed in middle-Georgia and parts of Jekyll Island off the Georgia coast.

Screenwriter Alex Whitmer says his screenplay is “a very personal story about growing up unable to communicate effectively. Bits and pieces are taken from my own experiences, including a preference for isolation, and the typing of invisible stories. It’s about the weird kid down the street. The one who liked to walk home alone… liked to study the neighbor’s garden… the colors of tree bark… and the smell of dirt. It is a suburban story about violent outbursts and an inability to learn within the constructs of norms.”

Alex’s site, The Starving Dramaturge is subtitled “In Pursuit of the Perfect Screenplay.” This phrase has resonated with me a lot over the last few weeks. Not for his choice of the word “perfect,” (a potentially unattainable ideal), but for his use of “pursuit.” It’s that striving to create great work that seems to unite a lot of artists. I knew right away that we would share a passion for crafting strong stories.

Our next project (working title “DRG”), is a dark comedy about life in a small town where everyone knows your backstory. “DRG” comes from screenwriter William Torgerson, an assistant professor in the Institute For Writing Studies at St. John’s University in New York and a graduate of the MFA in Creative Writing program at Georgia College and State University.

Torgerson grew up in a small town in Indiana.  “The ‘knowing everybody’s business’ feature of my hometown was something I wanted in my stories,” he says. “I spent one summer working as a stock boy in our family-owned grocery store… listening to rumors and seeing the spread of drama around the cash registers. I worked with my uncle, his ex-wife, and his new bride.”

Bill’s story tackles issues of privacy, infidelity, judgment, and retribution in darkly funny ways. Several strong character roles make this a tight and fun ensemble piece. There are roles for a strong female lead, eight to ten supporting adults, and two teens. The memorable action-packed conclusion will stick with audiences for a long time.

Both films are slated for production before year’s end. Each will be submitted to a number of film festival competitions upon completion.

You can learn more about Alex Whitmer’s extensive screenwriting projects (more than 45 produced short films) by visiting his web site and IMDB page.

To find out more about the fiction, screenwriting, and documentary work of Bill Torgerson—or to read “Horseshoe,” his collection of original stories that “DRG” is drawn from, please visit TheTorg.com.

We greatly appreciate the efforts and trust of these writers… and we’re really looking forward to crafting powerful films with both of them!

We’d also like to express our gratitude to all of the writers who submitted their work for consideration. We’re honored to have had the participation and interest of people from so many diverse perspectives.

Please stay tuned for further announcements about casting opportunities and about the potential launch of various crowd funding initiatives.  And if you’re interested in fostering, supporting, or creating independent films, we encourage you to get involved. There’s work to be done in a wide variety of disciplines including social media, crowdsourcing, production planning, and more.

You don’t need to be an expert filmmaker, in other words, to get involved.

And remember:  your feedback and assistance are very welcome, so please share your thoughts and ideas. We’d love to hear from you!

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